[Anderson's pictures are] comical without actually being funny, inventive without being freely playful, momentous without being dramatic. The emotional oxygen that would ignite them gets smothered in self-conscious cleverness.. I like Anderson when he's making movies about childhood -- "Rushmore," or "Fantastic Mr. Fox" -- but when he ventures into the realm of adulthood, he seems out of his jurisdiction.. The movie is shrewd enough to skitter along so frenetically that nothing, not even tonal c...
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